Thom Kellar stands at the forefront of sound design, blending his extensive experience as a brass player with innovative audio techniques to create immersive auditory experiences. Currently serving as a Sound Designer at Folklore Sound, Thom leverages his expertise in sound design, audio editing, and...
Thom Kellar stands at the forefront of sound design, blending his extensive experience as a brass player with innovative audio techniques to create immersive auditory experiences. Currently serving as a Sound Designer at Folklore Sound, Thom leverages his expertise in sound design, audio editing, and re-recording mixing to push creative boundaries in film and media. His work is characterized by a unique ability to intertwine composition and sound design, allowing him to craft soundscapes that resonate deeply with audiences.
Thom's portfolio includes notable projects such as "Gringo," directed by Nash Edgerton, where he served as Sound Editor for Deluxe Australia, and "War Machine," directed by David Michod, for which he contributed his sound editing skills to Big Ears Sound. His role in "Elixir," directed by Brodie Higgs, further showcases his versatility in sound editing for Huzzah Sound. Additionally, his work on the See Pictures logo involved both sound design and re-recording mixing, highlighting his capacity to adapt to various audio demands across different media formats.
With a strong foundation in orchestral music and a passion for cross-media audio applications, Thom is adept at utilizing tools like Logic Pro to enhance the storytelling process through sound. His collaborative spirit has led him to work alongside some of Australia's top ensembles, enriching his understanding of how sound can communicate emotions and narratives. As he continues to explore the intersection of technology and creativity, Thom Kellar remains a pivotal figure in the Australian sound design landscape, dedicated to crafting experiences that connect with listeners on a profound level.
