Niko Koppel, as Co-Founder of Monumento Studio, brings a wealth of experience and a unique perspective to the intersection of visual journalism and cultural preservation. With over a decade of expertise in capturing breaking news and long-form feature stories, Niko has honed his skills at...
Niko Koppel, as Co-Founder of Monumento Studio, brings a wealth of experience and a unique perspective to the intersection of visual journalism and cultural preservation. With over a decade of expertise in capturing breaking news and long-form feature stories, Niko has honed his skills at prestigious organizations like The New York Times and CNN. His background in photojournalism and media production allows him to approach projects with a keen eye for compelling narratives, ensuring that every story is told with authenticity and depth.
At Monumento Studio, Niko leads key initiatives that leverage cutting-edge technology, such as LiDAR and photogrammetry, to create stunning 3D representations of cultural heritage sites and artifacts. This innovative approach not only aids in the documentation of these invaluable resources but also serves as a vital tool for news outlets, museums, and preservation efforts. Niko's commitment to preserving history through modern techniques is evident in projects that range from on-the-ground reporting during natural disasters to the meticulous scanning of ancient structures, ensuring that their stories are captured for future generations.
In addition to his technical expertise, Niko excels in team management and collaboration, fostering an environment where creativity and innovation thrive. His proficiency in image editing and video production, particularly with tools like Adobe Premiere Pro, allows him to transform raw footage into compelling visual narratives that resonate with audiences. As Monumento Studio continues to push the boundaries of storytelling and preservation, Niko Koppel remains at the forefront, dedicated to capturing and safeguarding the stories that shape our cultural heritage.
